{"id":9648,"date":"2023-01-15T09:00:00","date_gmt":"2023-01-15T09:00:00","guid":{"rendered":"https:\/\/rossifest.estrela.io\/?page_id=9648"},"modified":"2026-07-20T18:22:08","modified_gmt":"2026-07-20T18:22:08","slug":"en-oratorijum-ester","status":"publish","type":"page","link":"https:\/\/rossifest.estrela.io\/en\/en-2023\/en-oratorijum-ester\/","title":{"rendered":"Ester"},"content":{"rendered":"\n\n\n

Esther Oratorio<\/h3>\n\n\n\n

Cristiano Giuseppe Lidarti<\/h5>\n\n\n\n

\u200bNational Theater, Main Stage, 20h<\/p>\n\n\n\n

European premiere<\/p>\n\n\n\n

As the crown of this year’s program, we would single out the European premiere of the oratorio “Esther” on February 6th, which will be performed in Europe for the first time after more than 200 years.\u00a0
\nThe oratorio will be staged at the Grand stage of the National Theater in Belgrade, under the baton of festival director Stefan Zeki\u0107, directed by Ana Grigorovi\u0107, and performed by our eminent artists in the main roles: Aneta Ili\u0107 (soprano), Sofija Pi\u017eurica (soprano), Marko \u017divkovi\u0107 (tenor), Vuk Zeki\u0107 (baritone); as well as the acclaimed instrumental in the instrumental solo parts: Mina Mendlsson (concertmaster), Ladislav Mezei and Milan Popovi\u0107 (continuo), together with Baruch Brothers Choir and the Jewish Chamber Orchestra. The scenography is signed by Dunja Kosti\u0107 and the costumes are created by Sara Blam.<\/p>\n\n\n\n

\u200b
\nThe score of the oratorio “Esther” (1774) by the Italian composer Christian Giuseppe Lidarti was rediscovered only in 1997 and is still considered one of the richest and most monumental works of Jewish art music of the 17th century, and the 18th century.
\nSaravalo’s libretto, based on the text of the second version of Handel’s oratorio (1732), “remained without music” until November 7, 1997, when Richard Andrews, a librarian at the University of Cambridge, found a handwritten score by Christian Giuseppe Lidarti called oratorio “Esther,” in 1774. He then began to work on the reconstruction of the work, which resulted in the world premiere of the oratorio in May 2000 in Jerusalem, while the Belgrade audience will have the opportunity to attend the European premiere of this work.<\/p>\n\n\n\n

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\"Stefan<\/figure>\n\n\n<\/div>\n\n\n\n
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Stefan Zekic\u0301, dirigent<\/h5>\n\n\n\n

Studirao je na Fakultetu muzi\u010dke umetnosti u Beogradu na odsecima za dirigovanje i solo pevanje. Na istom fakultetu zaposlen je na Katedri za dirigovanje od 2022. godine. Od 2009. godine anga\u017eovan je kao dirigent, korepetitor i dirigent u Operskom studiju Narodnog pozori\u0161ta u Beogradu. Osniva\u010d je i umetni\u010dki rukovodilac ansambla za ranu muziku Canticum Novum, dirigent Jevrejskog kamernog orkestra od njegovog osnivanja, glavni dirigent hora Brac\u0301a Baruh sa kojim je osvojio brojne nacionalne i me\u0111unarodne nagrade na presti\u017enim festivalima i takmi\u010denjima. Osniva\u010d je i direktor Rosi festa.<\/p>\n\n\n<\/div>\n\n\n<\/div>\n\n\n\n

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\"Ana<\/figure>\n\n\n<\/div>\n\n\n\n
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Ana Grigorovic\u0301, rediteljka<\/h5>\n\n\n\n

Diplomirala je i magistrirala pozori\u0161nu i radio re\u017eiju na Fakultetu dramskih umetnosti, gde je sada na doktorskim studijama. Re\u017eirala je preko dvadeset dramskih i operskih predstava \u0161irom zemlje. Od 2013. godine Ana radi kao operska rediteljka u Narodnom pozori\u0161tu u Beogradu, gde je re\u017eirala nagra\u0111ivane operske i dramske produkcije. Osniva\u010d je udru\u017eenja \u201eOpera Lab\u201c \u010dijom se delatno\u0161\u0107u zala\u017ee za razvoj operske umetnosti u zemlji.<\/p>\n\n\n<\/div>\n\n\n<\/div>\n\n\n\n

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\"IMG_20201230_213945_edited.jpg\"\/<\/figure>\n\n\n<\/div>\n\n\n\n
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Aneta Ili\u0107, sopran<\/h5>\n\n\n\n

Jedna je od vode\u0107ih vokalnih umetnica Srbije. Solo pevanje je studirala na Fakultetu muzi\u010dke umetnosti u Beogradu (klase prof. Biserke Cveji\u0107 i prof. Irine Arsikin), gde je danas redovni profesor na Katedri za solo pevanje. Osnovu njene koncertne delatnosti \u010dine resitali sa klavirom, a kao solistkinja sa orkestrom nastupala je gotovo na svim relevantnim festivalima u zemlji, izvode\u0107i repertoar od baroka do savremene muzike. Njen operski repertoar obuhvata uloge u operama baroknih i pretklasi\u010dnih kompozitora, Mocarta, kao i kompozitora XX veka. Posebno mesto u njenom repertoaru \u010dini srpsko muzi\u010dko stvarala\u0161tvo \u2013 premijerno je izvela brojna dela doma\u0107ih autora, a mnoga od njih pisana su za nju ili za kamerni ansambl Donne di Belgrado, \u010diji je \u010dlan. Ostvarila je veliki broj snimaka za Radio-televiziju Srbije, kao i za Holandski dr\u017eavni radio.<\/p>\n\n\n<\/div>\n\n\n<\/div>\n\n\n\n

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\"vuk.png\"\/<\/figure>\n\n\n<\/div>\n\n\n\n
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Vuk Zekic\u0301, bariton<\/h5>\n\n\n\n

Diplomirao je solo pevanje na Fakultetu muzi\u010dke umetnosti u Beogradu. Tokom studija dobio je Specijalnu nagradu za najboljeg u\u010denika generacije i Specijalnu nagradu na me\u0111unarodnom takmi\u010denju za operske peva\u010de – Citta di Alcamo (Sicilija). Od 2011. godine ostvario je vi\u0161e od 15 uloga u Narodnom pozori\u0161tu u Beogradu. Vuk je sa velikim uspehom dva puta nastupio na festivalu Operosa u Crnoj Gori i na renomiranom Letnjem festivalu u Varni. Tokom svoje karijere imao je ogromno iskustvo u izvo\u0111enju savremenih opera i koncerata savremenih srpskih kompozitora. Uspe\u0161no se bavi pedago\u0161kim radom u Muzi\u010dkoj \u0161koli “Stankovi\u0107” gde je \u0161ef odseka solo pevanja.<\/p>\n\n\n<\/div>\n\n\n<\/div>\n\n\n\n

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\"Sofija<\/figure>\n\n\n<\/div>\n\n\n\n
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Sofija Pi\u017eurica, sopran<\/h5>\n\n\n\n

Ro\u0111ena je u Beogradu, gde je, paralelno sa studijama knji\u017eevnosti na Filolo\u0161kom Fakultetu, zavr\u0161ila i osnovne i magistarske studije na FMU u Beogradu, u klasi prof. Biserke Cveji\u0107. Progla\u0161ena je za studenta generacije i najboljeg studenta Beogradskog univerziteta, a zatim je postala i prvi doktor solo pevanja u Srbiji. Sofija Pi\u017eurica je prvakinja opere Narodnog pozori\u0161ta u Beogradu, a njen repertoar \u010dini preko dvadeset uloga prvog faha. \u010cest je gost inostranih operskih ku\u0107a.<\/p>\n\n\n<\/div>\n\n\n<\/div>\n\n\n\n

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\"Marko<\/figure>\n\n\n<\/div>\n\n\n\n
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Marko \u017divkovi\u0107, tenor<\/h5>\n\n\n\n

Diplomirao je solo pevanje kod prof. Nikole Mijailovic\u0301a na Fakultetu muzi\u010dke umetnosti u Beogradu. U\u010destvovao je i osvajao nagrade na raznim takmi\u010denjima u Srbiji i susednim zemljama i nastupao sa razli\u010ditim ansamblima iz Beograda. Od 2014. nastupa kao solista u Narodnom pozori\u0161tu u Beogradu, Srpskom Narodnom pozori\u0161tu u Novom Sadu i Operi i teatru Madlenianum u Beogradu i na raznim festivalima. Nastupio je u vi\u0161e od 15 operskih naslova. Nastupao je i kao solista sa vodec\u0301im nacionalnim horovima u Srbiji, horom RTSa, a ostvario je i dva koncerta sa sa Beogradskom filharmonijom.<\/p>\n\n\n<\/div>\n\n\n<\/div>\n\n\n\n

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\"Prodan-Mladen-2_edited.jpg\"\/<\/figure>\n\n\n<\/div>\n\n\n\n
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Mladen Prodan, tenor<\/h5>\n\n\n\n

Ro\u0111en je 1993. u Prijedoru, Bosna i Hercegovina. Zavr\u0161io je odnovne akademske studije na Fakultetu muzi\u010dke umetnosti na odseku za solo pjevanje u klasi prof. Ljudmile Gros Popovi\u0107. Potom zavr\u0161ava i master studije u klasi prof. Nikole Mijailovi\u0107a. Poha\u0111ao je majstorske kurseve Tomasa Hempsona, Srbe Dini\u0107a, Igora Vlajni\u0107a, Berislava Jerkovi\u0107a. \u010clan je operskog studija Narodnog pozori\u0161ta u Beogradu.<\/p>\n\n\n<\/div>\n\n\n<\/div>\n\n\n\n

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\"Braca<\/figure>\n\n\n<\/div>\n\n\n\n
\n\n\n
Hor Bra\u0107a Baruh<\/em><\/h5>\n\n\n\n

Hor Bra\u0107a Baruh iz Beograda, osnovan je 1879. godine kao Srpsko jevrejsko peva\u010dko dru\u0161tvo.\u00a0 Eminentni istra\u017eiva\u010di tvrde da je re\u010d o najstarijem jevrejskom horu na svetu. Promenio je naziv 1952. godine u sada\u0161nji, u spomen na trojicu bra\u0107e iz poznate jevrejske porodice Baruh iz Beograda, stradale u pogromima po\u010detkom Drugog svetskog rata. Tokom svog dugogodi\u0161njeg rada, hor je priredio veliki broj koncerata u svim zna\u010dajnim muzi\u010dkim centrima Jugoslavije, dok su inostrana gostovanja ostvarena \u0161irom zemalja sveta, od Evrope i Azije do koncerata u Karnegi Holu u Njujorku, 1978. godine. Hor Bra\u0107a Baruh redovan je u\u010desnik svih najva\u017enijih festivala klasi\u010dne muzike u zemlji i inostranstvu, odakle redovno donosi niz nagrada i priznanja za svoj rad. Hor je dva puta odlikovan od strane Predsedni\u0161tva dr\u017eave, za svoj doprinos kulturnoj afirmaciji zemlje, a na njegovom \u010delu se bile neke od najzna\u010dajnijih li\u010dnosti iz istorije na\u0161e umetni\u010dke muzike. Za izuzetne uspehe koje je hor ostvario u poslednjih nekoliko godina zaslu\u017eni su, dirigent hora, Stefan Zeki\u0107 i predsednica hora, Branka Cveji\u0107 Mezei.<\/p>\n\n\n<\/div>\n\n\n<\/div>\n\n\n\n

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\"Hor<\/figure>\n\n\n<\/div>\n\n\n\n
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Me\u0161oviti hor UA MO\u00a0Stanislav Bini\u010dki<\/em><\/h5>\n\n\n\n

\u200bNa\u0161 proslavljeni kompozitor, nastavnik i utemeljiva\u010d vojne muzike Stanislav Bini\u010dki, osnovao je 26. septembra 1899. godine Beogradski vojni orkestar. To je bio prvi orkestar u Srbiji koji je mogao koncertno izvoditi, za tada\u0161nje doba, modernu muziku. Tradiciju tog orkestra, kroz tri veka, do danas \u010duva Umetni\u010dki ansambl MO Stanislav Bini\u010dki, koji ove godine oble\u017eava 124 godine postojanja.<\/p>\n\n\n\n

Stanislav Bini\u010dki je bio va\u017ena\u00a0 figura u doma\u0107oj i svetskoj istoriji muzike. Za sobom je ostavio brojna dela klasi\u010dne muzike koja za motiv imaju teme i melos na\u0161ih prostora. Tvorac je prve srpske opere Na Uranku, ali pored mnogo va\u017enih dela, izdvoji\u0107emo nama veoma va\u017enu, patriotski nadahnutu kompoziciju Mar\u0161 na Drinu.<\/p>\n\n\n\n

Umetni\u010dki ansambl MO Stanislav Bini\u010dki danas predstavlja ustanovu Uprave za odnose sa javno\u0161\u0107u, koja svojom programskom i repertoarskom raznovrsno\u0161\u0107u i \u017eanrovskom prilagodljivo\u0161\u0107u, na dostojan na\u010din afirmi\u0161e i reprezentuje Republiku Srbiju, Ministarstvo odbrane i Vojsku Srbije, doma\u0107oj i inostranoj publici, ali i stru\u010dnoj javnosti. Od 2022. godine, nakon vi\u0161egodi\u0161nje pauze, profesionalni sastav Ansambla je oja\u010dan Me\u0161ovitim horom i solistima koji su postali neizostavni deo nastupa Ansambla.<\/p>\n\n\n<\/div>\n\n\n<\/div>\n\n\n\n

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\"jevrejski<\/figure>\n\n\n<\/div>\n\n\n\n
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Jevrejski kamerni orkestar<\/h5>\n\n\n\n

Jevrejski kamerni orkestar osnovao je 2012. godine violon\u010deista Ladislav Mezei, u saradnji sa B’nei B’rit lo\u017eom Srbije, a \u010dlanovi orkestra su profesionalni muzi\u010dari jevrejskog porekla i njihovih prijatelji. Primarni cilj orkestra predstavljanje muzike jevrejskih kompozitora, kao i drugih kompozitora \u010dija su dela inspirisana jevrejskim temama, a interpretacija orkestra povezana je sa tradicijom, kulturom i istorijom jevrejske zajednice u Srbiji.<\/p>\n\n\n<\/div>\n\n\n<\/div>\n\n\n\n

\u200b<\/h5>\n\n\n\n
Hor Bra\u0107a Baruh<\/h5>\n\n\n\n

Sopran:<\/strong><\/p>\n\n\n\n

Ivana Jovanovi\u0107<\/p>\n\n\n\n

Ma\u0161a Nedeljkovi\u0107<\/p>\n\n\n\n

Tatjana Ivkovi\u0107<\/p>\n\n\n\n

Isidora Mati\u0107<\/p>\n\n\n\n

An\u0111ela Vemi\u0107<\/p>\n\n\n\n

Marija Todorovi\u0107<\/p>\n\n\n\n

Bojana Stojanovi\u0107<\/p>\n\n\n\n

Atina Gajdo\u0161<\/p>\n\n\n\n

Vanja Stevanovi\u0107<\/p>\n\n\n\n

Andrijana Ku\u017eet<\/p>\n\n\n\n

\u017dana Krsti\u0107<\/p>\n\n\n\n

Jelena Ripi\u0107 Demi\u0107<\/p>\n\n\n\n

Teodora Trajkovi\u0107<\/p>\n\n\n\n

Alt:<\/strong><\/p>\n\n\n\n

Milica Andjelkovic Komatina<\/p>\n\n\n\n

Teodora Vasi\u0107 To\u0161i\u0107<\/p>\n\n\n\n

Mina Pavlovi\u0107<\/p>\n\n\n\n

Jelena Jovi\u010din<\/p>\n\n\n\n

Ljiljana Markovi\u0107<\/p>\n\n\n\n

Sara Konstantinovi\u0107<\/p>\n\n\n\n

Esmina Ne\u017eovi\u0107<\/p>\n\n\n\n

Manda Egi\u0107<\/p>\n\n\n\n

Tenor:<\/strong><\/p>\n\n\n\n

Zoran Stepanovi\u0107<\/p>\n\n\n\n

Andrija Krasojevic<\/p>\n\n\n\n

Djordje Neni\u0107<\/p>\n\n\n\n

Bas\/Bariton:<\/strong><\/p>\n\n\n\n

Aleksandar Paukovi\u0107<\/p>\n\n\n\n

Danilo Trajkovi\u0107<\/p>\n\n\n\n

Ivan Dedi\u0107<\/p>\n\n\n\n

Jovan Mihajlovi\u0107<\/p>\n\n\n\n

Me\u0161oviti hor UA MO Stanislav Bini\u010dki<\/em><\/h5>\n\n\n\n

Sopran:<\/strong><\/p>\n\n\n\n

Biljana Vasiljevi\u0107 Mitrovi\u0107<\/p>\n\n\n\n

Marijana Radosavljevi\u0107<\/p>\n\n\n\n

Nevena Tatomirovi\u0107<\/p>\n\n\n\n

Jovana Kova\u010devi\u0107<\/p>\n\n\n\n

Alt:<\/strong><\/p>\n\n\n\n

Jelena Zeki\u0107<\/p>\n\n\n\n

Jovana Bjeli\u0107<\/p>\n\n\n\n

Natalija Begovi\u0107<\/p>\n\n\n\n

Tenor:<\/strong><\/p>\n\n\n\n

Dragan Milanovi\u0107<\/p>\n\n\n\n

Matija Prodanovi\u0107<\/p>\n\n\n\n

Filip Milivojevi\u0107<\/p>\n\n\n\n

Zoran Kne\u017eevi\u0107<\/p>\n\n\n\n

Bas\/Bariton:<\/strong><\/p>\n\n\n\n

Nikola Nikolovski<\/p>\n\n\n\n

Strahinja Tri\u010dkovi\u0107<\/p>\n\n\n\n

Svetozar Vuji\u0107<\/p>\n\n\n\n

Jevrejski kamerni orkestar<\/h5>\n\n\n\n

I Violine:<\/strong><\/p>\n\n\n\n

Mina Mendelson, koncertmajstor<\/p>\n\n\n\n

Du\u0161ica Bla\u017eenovi\u0107<\/p>\n\n\n\n

Vesna Jansens<\/p>\n\n\n\n

Ivana Zavi\u0161i\u0107<\/p>\n\n\n\n

II violine:<\/strong><\/p>\n\n\n\n

Martina Miler<\/p>\n\n\n\n

Milica \u017dugi\u0107<\/p>\n\n\n\n

Violeta \u0106iri\u0107<\/p>\n\n\n\n

Viole:<\/strong><\/p>\n\n\n\n

Ena Vaganek<\/p>\n\n\n\n

Jovan Muratovi\u0107<\/p>\n\n\n\n

Tijana Dimitrov<\/p>\n\n\n\n

Violon\u010dela:<\/strong><\/p>\n\n\n\n

Ladislav Mezei<\/p>\n\n\n\n

Nebojsa Jankovi\u0107<\/p>\n\n\n\n

Kontrabas:<\/strong><\/p>\n\n\n\n

Boban Sto\u0161i\u0107<\/p>\n\n\n\n

Flaute:<\/strong><\/p>\n\n\n\n

Jelena \u0160panovi\u0107<\/p>\n\n\n\n

Ana Popovi\u0107<\/p>\n\n\n\n

Oboe:<\/strong><\/p>\n\n\n\n

Marija Lazi\u0107<\/p>\n\n\n\n

Dragan Lazi\u0107<\/p>\n\n\n\n

Horne:<\/strong><\/p>\n\n\n\n

Igor Lazi\u0107<\/p>\n\n\n\n

Gordana Stojni\u0107<\/p>\n\n\n\n

\u010cembalo:<\/strong><\/p>\n\n\n\n

Milan Popovi\u0107<\/p>\n\n\n","protected":false},"excerpt":{"rendered":"

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