{"id":13374,"date":"2026-11-03T12:19:34","date_gmt":"2026-11-03T12:19:34","guid":{"rendered":"https:\/\/rossifest.estrela.io\/?p=13374"},"modified":"2026-11-03T14:41:38","modified_gmt":"2026-11-03T14:41:38","slug":"ivan-curkovic","status":"publish","type":"post","link":"https:\/\/rossifest.estrela.io\/en\/ivan-curkovic\/","title":{"rendered":"Ivan \u0106urkovi\u0107"},"content":{"rendered":"\n
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\"Ivan<\/figure>\n<\/div>\n\n\n\n
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Speaker<\/p>\n\n\n\n

Ivan \u0106urkovi\u0107<\/h1>\n\n\n\n

Croatia \u00b7 b. 1980, Novi Sad<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Biography<\/h2>\n\n\n\n

Dr. sc. Ivan \u0106urkovi\u0107<\/strong> was born in Novi Sad in 1980. He graduated from the University of Zagreb in musicology at the Academy of Music (2005) and comparative literature and Hungarian studies at the Faculty of Philosophy (2007). He pursued his doctoral studies at the Institute of Musicology of the Faculty of Philosophy of the University of Heidelberg, where he obtained the title of Doctor of Science in 2017 with a dissertation titled The Vocal Duet and G. F. Handel’s Italian Contemporaries. An Attempt at a Comparison<\/em>. Since 2007, he has been employed at the Department of Musicology of the Academy of Music, University of Zagreb, since 2023 as an associate professor. In the period 2018\u20132021, he held the position of head of the Department of Musicology.<\/p>\n\n\n\n

He is a participant in several scientific conferences in the country and abroad, and he was also the president of the program and organizational committee of the international scientific conference Musicology and Its Future in Times of Crises<\/em> organized on the occasion of the 50th anniversary of the founding of the Department of Musicology of the Academy of Music in 2020, and a member of the organizational committee of the scientific conference The Blasphemous in Music in Sound<\/em> held at the Department of Musicology in 2023. He is the author of the monograph The Vocal Duets of G. F. Handel and His Italian Contemporaries (1706-1724)<\/em>, several scientific and professional articles as well as music and theater criticism, and he also works as a part-time associate of the Lexicographic Institute Miroslav Krle\u017ea<\/em>.<\/p>\n\n\n\n

Since 2022, he has been a member of the management board of the international networking project, the so-called COST Action A new ecosystem of early music studies<\/em> financed by the European Cooperation in Science and Technology. His areas of scientific interest are vocal music of the 18th century with special emphasis on the work of G. F. H\u00e4ndel, performance practice of the past and present, and the application of various cultural theories in historical musicology.<\/p>\n<\/div><\/div>\n\n\n\n

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At Rossi Fest<\/h2>\n\n\n\n