{"id":7734,"date":"2022-03-04T09:57:34","date_gmt":"2022-03-04T09:57:34","guid":{"rendered":"https:\/\/rossifest.estrela.io\/?p=7734"},"modified":"2022-03-04T09:57:37","modified_gmt":"2022-03-04T09:57:37","slug":"opera-carmen-a-tragedy-g-bizet","status":"publish","type":"post","link":"https:\/\/rossifest.estrela.io\/en\/opera-carmen-a-tragedy-g-bizet\/","title":{"rendered":"Opera:  Carmen, a tragedy, G. Bizet"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Carmen by Georges Bizet is one of the most famous opera tragedies. In a dramaturgical intervention by Peter Brook, the storyline becomes more dense, intense, and outlined. With the omission of some original characters and lacking the emphasis on the vivid scenery of the original story, the \u201cnew\u201d Carmen relies on exploring relations between characters and underlines the problem of the suffering of a Roma woman.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A local pre-performance of opera Carmen, one tragedy in production of Rossi fest additionally contemporized the adaptation of Bizet\u2019s Carmen, focusing on the problem of social adaptation of Roma and migrants in the systems of European countries, facing all kinds of discriminations during the migrant crisis from 2015-2019. Freedom that Carmen, the first Roma heroine in opera, sings about is the same freedom sought by socially vulnerable groups &#8211; freedom of movement, right to work, and finally a right to free love. It is precisely the emphasis on the passionate affair between Carmen and Don Jose from the sociological aspect that enables the play directed by Ana Grigorovic and conducted by Stefan Zekic, to problematize relations between state, police, and minorities \u2013 Roma and migrants.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">How much is a woman\u2019s life worth and is it worth at all? How big is the responsibility of the state if the life of an individual is endangered? Carmen, one tragedy is not just a story of great love and tragedy, but also a social commentary asking questions and calling for responsibility.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Scenic movement is designed by Tamara Pjevi\u0107, scenography by Dunja Kosti\u0107, and costumes by Ivana Ivi\u0107. A young and talented group of singers and actors is led by Nata\u0161a Ra\u0161i\u0107 as Carmen, together with Marko \u017divkovi\u0107 (Don Jose), Vuk Zeki\u0107 (Escamillo), Evgenija Jeremi\u0107 (Micaela), Pavle \u017darkov (Zuniga), Nemanja Stamatovi\u0107 (Lillas Pastia) and \u0110or\u0111e \u017divadinovi\u0107 Grgur (Garcia).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u200b<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Director &#8211; Ana Grigorovi\u0107<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Conductor &#8211; Stefan Zeki\u0107<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Set design &#8211; Dunja Kosti\u0107<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Costume &#8211; Ivana Ivi\u0107<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Stage movement &#8211; Tamara Pjevi\u0107<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Video &#8211; Matija Novakovi\u0107<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Lighting design &#8211; Vlada Marinkovski<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Carmen &#8211; Natasa Rasic<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Don Jose &#8211; Marko Zivkovic<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Escamillo &#8211; Vuk Zekic<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Mikaela &#8211; Evgenija Jeremic<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Zuniga &#8211; Pavle Zharkov<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Lillas Pastia &#8211; Nemanja Stamatovic<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Garcia &#8211; Djordje Zivadinovic Grgur<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Orchestra:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Vesna Jansens, concert master<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Aleksandra Dimitrijevi\u0107, violin<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Mirko Crnojevic, viola<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Jasmina Vrbani\u0107, cello<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Svetozar Vujic, double bass<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Srdjan Jarakovic, piano<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ana Popovi\u0107, flute<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Marija Lazi\u0107, oboe<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Mihailo Samoran, clarinet<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ana Djordjevic, bassoon<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Igor Lazi\u0107, horn<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Nenad Ninkovi\u0107, trumpet<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ivan Jovanovic, trombone<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Aleksandar Radulovi\u0107, percussion<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Carmen by Georges Bizet is one of the most famous opera tragedies. In a dramaturgical intervention by Peter Brook, the storyline becomes more dense, intense, and outlined. With the omission of some original characters and lacking the emphasis on the vivid scenery of the original story, the \u201cnew\u201d Carmen relies on exploring relations between characters [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"","ocean_second_sidebar":"","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"","ocean_custom_header_template":"","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"","ocean_menu_typo_font_family":"","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"ocean_post_oembed":"","ocean_post_self_hosted_media":"","ocean_post_video_embed":"","ocean_link_format":"","ocean_link_format_target":"self","ocean_quote_format":"","ocean_quote_format_link":"post","ocean_gallery_link_images":"on","ocean_gallery_id":[],"footnotes":"","jetpack_post_was_ever_published":false},"categories":[164,271],"tags":[],"class_list":["post-7734","post","type-post","status-publish","format-standard","hentry","category-164","category-2021-en","entry"],"jetpack_featured_media_url":"","categories_names":["2020","2021"],"post_class":[["post-7734","post","type-post","status-publish","format-standard","hentry","category-164","category-2021-en","entry"]],"author_avatar":["<img alt='' src='https:\/\/secure.gravatar.com\/avatar\/1d31e7e5688478e6f4a776c4f1f445e7307bf7ae5b861d9f46a59e01ea8f1ae4?s=96&#038;d=mm&#038;r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/1d31e7e5688478e6f4a776c4f1f445e7307bf7ae5b861d9f46a59e01ea8f1ae4?s=192&#038;d=mm&#038;r=g 2x' class='avatar avatar-96 photo' height='96' width='96' loading='lazy' decoding='async'\/>"],"featured_video":null,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":8361,"url":"https:\/\/rossifest.estrela.io\/en\/david-et-jonathas-the-biblical-opera-by-marc-antoine-charpentier\/","url_meta":{"origin":7734,"position":0},"title":"David et Jonathas, the biblical opera by Marc-Antoine Charpentier","author":"Mina","date":"16 June 2023","format":false,"excerpt":"In this lecture, we deal with the particular position of Marc-Antoine Charpentier\u2019s trag\u00e9die en musique\u00a0David et Jonathas\u00a0(1688) on the libretto by Fran\u00e7ois Bretonneau, one of two operas based on the\u00a0Old Testament \u2212 besides Jepht\u00e9\u00a0(1732) by Michel Mont\u00e9clair \u2212 in the whole French baroque repertoire. Beyond that, the unique position of\u2026","rel":"","context":"In &quot;2019&quot;","block_context":{"text":"2019","link":"https:\/\/rossifest.estrela.io\/en\/festival-editions\/2019-en\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/rossifest.estrela.io\/wp-content\/uploads\/2020\/Muzikoloska%20predavanja\/2020__Muzikoloska%20predavanja__EV2A0041.jpg?fit=1200%2C800&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/rossifest.estrela.io\/wp-content\/uploads\/2020\/Muzikoloska%20predavanja\/2020__Muzikoloska%20predavanja__EV2A0041.jpg?fit=1200%2C800&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/rossifest.estrela.io\/wp-content\/uploads\/2020\/Muzikoloska%20predavanja\/2020__Muzikoloska%20predavanja__EV2A0041.jpg?fit=1200%2C800&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/rossifest.estrela.io\/wp-content\/uploads\/2020\/Muzikoloska%20predavanja\/2020__Muzikoloska%20predavanja__EV2A0041.jpg?fit=1200%2C800&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/rossifest.estrela.io\/wp-content\/uploads\/2020\/Muzikoloska%20predavanja\/2020__Muzikoloska%20predavanja__EV2A0041.jpg?fit=1200%2C800&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":4049,"url":"https:\/\/rossifest.estrela.io\/karmen-jedna-tragedija\/","url_meta":{"origin":7734,"position":1},"title":"Opera: Karmen, jedna tragedija","author":"Mila","date":"11 November 2020","format":false,"excerpt":"Karmen, \u017dor\u017ea Bizea, jedna je od najpoznatijih operskih tragedija. U dramatur\u0161koj intervenciji Pitera Bruka, skrojenoj 80-ih godina pro\u0161log veka, dramska radnja postaje gu\u0161\u0107a, intenzivnija i konkretnija. Li\u0161ena brojnih likova i bez nagla\u0161avanja \u017eivopisne sredine u kojoj se originalna radnja zbiva, \u201enova\u201c Karmen se oslanja na konkretne odnose izme\u0111u likova i\u2026","rel":"","context":"In &quot;2020&quot;","block_context":{"text":"2020","link":"https:\/\/rossifest.estrela.io\/edicije-festivala\/2020\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/rossifest.estrela.io\/wp-content\/uploads\/2020\/11\/karmen-2.png?fit=1080%2C864&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/rossifest.estrela.io\/wp-content\/uploads\/2020\/11\/karmen-2.png?fit=1080%2C864&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/rossifest.estrela.io\/wp-content\/uploads\/2020\/11\/karmen-2.png?fit=1080%2C864&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/rossifest.estrela.io\/wp-content\/uploads\/2020\/11\/karmen-2.png?fit=1080%2C864&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/rossifest.estrela.io\/wp-content\/uploads\/2020\/11\/karmen-2.png?fit=1080%2C864&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":8414,"url":"https:\/\/rossifest.estrela.io\/en\/final-concert-of-the-opera-singing-masterclass\/","url_meta":{"origin":7734,"position":2},"title":"Final concert of the Opera singing masterclass","author":"Mina","date":"16 June 2023","format":false,"excerpt":"Ra\u0161a Plaovi\u0107 Stage of the National Theare in Belgrade The opera singing masterclass\u00a0was held by a renowned soprano from Metropolitan Opera, Ms. Olga Makarina. Eleven selected candidates had three-day sessions with Ms. Makarina in the Museum of the National Theatre in Belgrade, as well as the Final concert of the\u2026","rel":"","context":"In &quot;2018&quot;","block_context":{"text":"2018","link":"https:\/\/rossifest.estrela.io\/en\/festival-editions\/2018-en\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/rossifest.estrela.io\/wp-content\/uploads\/2020\/09\/FB_IMG_1599069066274.jpg?fit=1080%2C608&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/rossifest.estrela.io\/wp-content\/uploads\/2020\/09\/FB_IMG_1599069066274.jpg?fit=1080%2C608&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/rossifest.estrela.io\/wp-content\/uploads\/2020\/09\/FB_IMG_1599069066274.jpg?fit=1080%2C608&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/rossifest.estrela.io\/wp-content\/uploads\/2020\/09\/FB_IMG_1599069066274.jpg?fit=1080%2C608&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/rossifest.estrela.io\/wp-content\/uploads\/2020\/09\/FB_IMG_1599069066274.jpg?fit=1080%2C608&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":1851,"url":"https:\/\/rossifest.estrela.io\/david-i-jonatan-biblijska-opera-mark-antoana-sarpentjea\/","url_meta":{"origin":7734,"position":3},"title":"David i Jonatan, biblijska opera Mark-Antoana \u0160arpentjea","author":"Mina","date":"27 January 2019","format":false,"excerpt":"U ovom predavanju se bavimo naro\u010ditim istorijskim mestom tragedije u muzici\u00a0David i Jonatan\u00a0(1688) Mark-Antoana \u0160arpentjea prema libretu Fransoa Bretonoa, jedne od dve opere \u2013 pored\u00a0Jefte\u00a0(1732) Mi\u0161ela de Monteklera \u2212 bazirane na Starom Zavetu u francuskom baroknom repertoaru. Pored toga, jedinstvena pozicija ovog dela u istoriji muzike le\u017ei u \u010dinjenici da\u2026","rel":"","context":"In &quot;2019&quot;","block_context":{"text":"2019","link":"https:\/\/rossifest.estrela.io\/edicije-festivala\/2019\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/rossifest.estrela.io\/wp-content\/uploads\/2020\/Muzikoloska%20predavanja\/2020__Muzikoloska%20predavanja__EV2A0041.jpg?fit=1200%2C800&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/rossifest.estrela.io\/wp-content\/uploads\/2020\/Muzikoloska%20predavanja\/2020__Muzikoloska%20predavanja__EV2A0041.jpg?fit=1200%2C800&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/rossifest.estrela.io\/wp-content\/uploads\/2020\/Muzikoloska%20predavanja\/2020__Muzikoloska%20predavanja__EV2A0041.jpg?fit=1200%2C800&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/rossifest.estrela.io\/wp-content\/uploads\/2020\/Muzikoloska%20predavanja\/2020__Muzikoloska%20predavanja__EV2A0041.jpg?fit=1200%2C800&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/rossifest.estrela.io\/wp-content\/uploads\/2020\/Muzikoloska%20predavanja\/2020__Muzikoloska%20predavanja__EV2A0041.jpg?fit=1200%2C800&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":7728,"url":"https:\/\/rossifest.estrela.io\/en\/jozef-roslic\/","url_meta":{"origin":7734,"position":4},"title":"Joseph Rochlitz, director","author":"Mila","date":"4 March 2022","format":false,"excerpt":"Born in New York. Studied piano at the Conservatoire de Musique de Gen\u00e8ve, film and music at Tel Aviv University, graduated from the American University of Rome. Directs opera and documentary films. Webpage: josephrochlitz.com As part of Rossi Fest his documentary film was projected: https:\/\/rossifest.estrela.io\/hebreo\/","rel":"","context":"In &quot;Hebreo&quot;","block_context":{"text":"Hebreo","link":"https:\/\/rossifest.estrela.io\/en\/biographies\/hebreo-en\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8459,"url":"https:\/\/rossifest.estrela.io\/en\/jug-konstantin-markovic-composer\/","url_meta":{"origin":7734,"position":5},"title":"Jug Konstantin Markovi\u0107, composer","author":"Mina","date":"22 June 2023","format":false,"excerpt":"1987, Belgrade Jug is a Serbian, Belgrade based composer. He believes in non-cerebral, impulsive, passion driven composing. Jug was born in Belgrade where he graduated at the Faculty of Philosophy and afterwards at the Faculty of Music Art in Belgrade. Apart from his principal teachers Vlastimir Trajkovi\u0107 and Zoran Eri\u0107,\u2026","rel":"","context":"In &quot;2018&quot;","block_context":{"text":"2018","link":"https:\/\/rossifest.estrela.io\/en\/festival-editions\/2018-en\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/rossifest.estrela.io\/wp-content\/uploads\/2018\/01\/FB_IMG_1600778006537.jpg?fit=1080%2C608&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/rossifest.estrela.io\/wp-content\/uploads\/2018\/01\/FB_IMG_1600778006537.jpg?fit=1080%2C608&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/rossifest.estrela.io\/wp-content\/uploads\/2018\/01\/FB_IMG_1600778006537.jpg?fit=1080%2C608&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/rossifest.estrela.io\/wp-content\/uploads\/2018\/01\/FB_IMG_1600778006537.jpg?fit=1080%2C608&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/rossifest.estrela.io\/wp-content\/uploads\/2018\/01\/FB_IMG_1600778006537.jpg?fit=1080%2C608&ssl=1&resize=1050%2C600 3x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/rossifest.estrela.io\/en\/wp-json\/wp\/v2\/posts\/7734","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rossifest.estrela.io\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rossifest.estrela.io\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rossifest.estrela.io\/en\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/rossifest.estrela.io\/en\/wp-json\/wp\/v2\/comments?post=7734"}],"version-history":[{"count":1,"href":"https:\/\/rossifest.estrela.io\/en\/wp-json\/wp\/v2\/posts\/7734\/revisions"}],"predecessor-version":[{"id":7735,"href":"https:\/\/rossifest.estrela.io\/en\/wp-json\/wp\/v2\/posts\/7734\/revisions\/7735"}],"wp:attachment":[{"href":"https:\/\/rossifest.estrela.io\/en\/wp-json\/wp\/v2\/media?parent=7734"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rossifest.estrela.io\/en\/wp-json\/wp\/v2\/categories?post=7734"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rossifest.estrela.io\/en\/wp-json\/wp\/v2\/tags?post=7734"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}